26 Short Poems by Edna St. Vincent Millay
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We have published our curated selection of the 101 poems that we consider Edna St Vincent Millay's BEST - it's a collection that honors the profound impact her lyrical style and passionate themes have had on American literature and poetry.
But with a passion for the power of short poems - we thought we'd share a superb collection of Edna St. Vincent Millay's short poems that are 12 lines or less - this then excludes all her wonderful sonnets, but that will save for another post.
Figs - Edna St. Vincent Millay's Finest Short Poems
This list must of course start with First Fig and Second Fig. These were the opening poems in her controversial "A Few Figs from Thistles" poetry volume. This book caused widespread consternation at the time with a post-war youthful wittiness and naughtyness.
First Fig must surely be her best-known and most-oft reproduced poem. It creates a compelling visual and claimed the 17th century idiom as her own. It is an anthem of spirited youth and is followed by Second Fig - eloquently expressing in just two lines a rebellion and risk taking for beauty. Thursday challenged gender norms of the time and helped create Edna Millay's repuation as a "New Woman".
First Fig
By Edna St. Vincent Millay
My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends— It gives a lovely light!
Second Fig
By Edna St. Vincent Millay
Safe upon the solid rock the ugly houses stand: Come and see my shining palace built upon the sand!
Thursday
By Edna St. Vincent Millay
And if I loved you Wednesday, Well, what is that to you? I do not love you Thursday— So much is true. And why you come complaining Is more than I can see. I loved you Wednesday,—yes—but what Is that to me?
The Prisoner
By Edna St. Vincent Millay
All right, Go ahead! What's in a name? I guess I'll be locked into As much as I'm locked out of!
5. The Unexplorer
By Edna St. Vincent Millay
There was a road ran past our house Too lovely to explore. I asked my mother once—she said That if you followed where it led It brought you to the milk-man's door. (That's why I have not traveled more.)
6. Grown-Up
By Edna St. Vincent Millay
Was it for this I uttered prayers, And sobbed and cursed and kicked the stairs, That now, domestic as a plate, I should retire at half-past eight?
Oh, Edna!
A themed anthology of Edna St. Vincent Millay earliest and most famous poems from:
Renascence and Other Poems (1917)
A Few Figs from Thistles (1920)
Second April (1921)
The Ballad of the Harp-Weaver (1922)
The poetry is presented in themes rather than by volume.
Daphne
By Edna St. Vincent Millay
Why do you follow me?— Any moment I can be Nothing but a laurel-tree. Any moment of the chase I can leave you in my place A pink bough for your embrace. Yet if over hill and hollow Still it is your will to follow, I am off;—to heel, Apollo!
Midnight Oil
By Edna St. Vincent Millay
Cut if you will, with Sleep's dull knife, Each day to half its length, my friend,— The years that Time takes off my life, He'll take from off the other end!
To Kathleen
By Edna St. Vincent Millay
Still must the poet as of old, In barren attic bleak and cold, Starve, freeze, and fashion verses to Such things as flowers and song and you; Still as of old his being give In Beauty's name, while she may live, Beauty that may not die as long As there are flowers and you and song.
Afternoon on a Hill
By Edna St. Vincent Millay
I will be the gladdest thing Under the sun! I will touch a hundred flowers And not pick one. I will look at cliffs and clouds With quiet eyes, Watch the wind bow down the grass, And the grass rise. And when lights begin to show Up from the town, I will mark which must be mine, And then start down!
Sorrow
By Edna St. Vincent Millay
Sorrow like a ceaseless rain Beats upon my heart. People twist and scream in pain,— Dawn will find them still again; This has neither wax nor wane, Neither stop nor start. People dress and go to town; I sit in my chair. All my thoughts are slow and brown: Standing up or sitting down Little matters, or what gown Or what shoes I wear.
Witch-Wife
By Edna St. Vincent Millay
She is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun 'tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
City Trees
By Edna St. Vincent Millay
The trees along this city street, Save for the traffic and the trains, Would make a sound as thin and sweet As trees in country lanes. And people standing in their shade Out of a shower, undoubtedly Would hear such music as is made Upon a country tree. Oh, little leaves that are so dumb Against the shrieking city air, I watch you when the wind has come,— I know what sound is there.
Eel-Grass
By Edna St. Vincent Millay
No matter what I say, All that I really love Is the rain that flattens on the bay, And the eel-grass in the cove; The jingle-shells that lie and bleach At the tide-line, and the trace Of higher tides along the beach: Nothing in this place.
Passer Mortuus Est
By Edna St. Vincent Millay
Death devours all lovely things; Lesbia with her sparrow Shares the darkness,—presently Every bed is narrow. Unremembered as old rain Dries the sheer libation, And the little petulant hand Is an annotation. After all, my erstwhile dear, My no longer cherished, Need we say it was not love, Now that love is perished?
Assault
By Edna St. Vincent Millay
I I had forgotten how the frogs must sound After a year of silence, else I think I should not so have ventured forth alone At dusk upon this unfrequented road. II I am waylaid by Beauty. Who will walk Between me and the crying of the frogs? Oh, savage Beauty, suffer me to pass, That am a timid woman, on her way From one house to another!
Travel
By Edna St. Vincent Millay
The railroad track is miles away, And the day is loud with voices speaking, Yet there isn't a train goes by all day But I hear its whistle shrieking. All night there isn't a train goes by, Though the night is still for sleep and dreaming But I see its cinders red on the sky, And hear its engine steaming. My heart is warm with the friends I make, And better friends I'll not be knowing, Yet there isn't a train I wouldn't take, No matter where it's going.
Low-Tide
By Edna St. Vincent Millay
These wet rocks where the tide has been, Barnacled white and weeded brown And slimed beneath to a beautiful green, These wet rocks where the tide went down Will show again when the tide is high Faint and perilous, far from shore, No place to dream, but a place to die,— The bottom of the sea once more. There was a child that wandered through A giant's empty house all day,— House full of wonderful things and new, But no fit place for a child to play.
Mariposa
By Edna St. Vincent Millay
Butterflies are white and blue In this field we wander through. Suffer me to take your hand. Death comes in a day or two. All the things we ever knew Will be ashes in that hour, Mark the transient butterfly, How he hangs upon the flower. Suffer me to take your hand. Suffer me to cherish you Till the dawn is in the sky. Whether I be false or true, Death comes in a day or two.
Ebb
By Edna St. Vincent Millay
I know what my heart is like Since your love died: It is like a hollow ledge Holding a little pool Left there by the tide, A little tepid pool, Drying inward from the edge.
Burial
Mine is a body that should die at sea! And have for a grave, instead of a grave Six feet deep and the length of me, All the water that is under the wave! And terrible fishes to seize my flesh, Such as a living man might fear, And eat me while I am firm and fresh,— Not wait till I've been dead for a year!
Epitaph
By Edna St. Vincent Millay
Heap not on this mound Roses that she loved so well; Why bewilder her with roses, That she cannot see or smell? She is happy where she lies With the dust upon her eyes.
Dirge
By Edna St. Vincent Millay
Boys and girls that held her dear, Do your weeping now; All you loved of her lies here. Brought to earth the arrogant brow, And the withering tongue Chastened; do your weeping now. Sing whatever songs are sung, Wind whatever wreath, For a playmate perished young, For a spirit spent in death. Boys and girls that held her dear, All you loved of her lies here.
Prayer to Persephone
By Edna St. Vincent Millay
Be to her, Persephone, All the things I might not be; Take her head upon your knee. She that was so proud and wild, Flippant, arrogant and free, She that had no need of me, Is a little lonely child Lost in Hell,—Persephone, Take her head upon your knee; Say to her, "My dear, my dear, It is not so dreadful here."
Chorus
By Edna St. Vincent Millay
Give away her gowns, Give away her shoes; She has no more use For her fragrant gowns; Take them all down, Blue, green, blue, Lilac, pink, blue, From their padded hangers; She will dance no more In her narrow shoes; Sweep her narrow shoes From the closet floor.
Wild Swans
By Edna St. Vincent Millay
I looked in my heart while the wild swans went over. And what did I see I had not seen before? Only a question less or a question more; Nothing to match the flight of wild birds flying. Tiresome heart, forever living and dying, House without air, I leave you and lock your door. Wild swans, come over the town, come over The town again, trailing your legs and crying!









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